Wisin, Jhay Cortez & Los Legendarios, "Fiel" It’s an apt lead single for the singer/songwriter and self-described “stereotype assassin”’s April album, Second Line, which she has described as an effort to reinstate electronic music’s Black female pioneers as leaders of the genre. Then, the beat kicks in - a pulsating blend of electro-pop, house and funk, punctuated by Richard’s slick, confident rhymes - inviting everyone to join the parade. “ Bussifame” begins with a voiceover explaining New Orleans’ “second line” tradition of celebrating life through music and dance. Her chilly lyrics throughout turn heads, but the three-minute song thrives most in its ability to linger for the perfect amount of time: From her elongated “o”s in the chorus to the stretchy guitar chords preceding the opening lyrics, it all hangs around just long enough to leave you wanting more.
In late April, Willow joined the ever-growing ranks of artists leading a full-blown mainstream pop-punk resurgence with her rollicking, Travis Barker-assisted single – though maybe we ultimately have Michael Cera to thank. They've been reassuring presences during this time of turmoil, but they've also made us particularly grateful for the newer breakout artists who've showed up to push them - including one who scored two of 2021's biggest hits and became one of the year's biggest stars, before even putting out her debut album. But it is conspicuous how the past year has seen the pop world really gravitate towards its most reliable stars, more than it has in recent years - leaning on them not just for one smash at a time, but sometimes as many as three or four simultaneously, while they keep finding new ways to breathe life into their most recent blockbuster LPs. OK, that's a little reductive: Plenty of other artists and albums have also done their part to keep the charts interesting in recent months. yep, still After Hours and Future Nostalgia. Now it's a year later, the world is opening back up, and the charts (and radio in particular) are currently being dominated by. When we checked in on the best songs of 2020 last June, the charts (and radio in particular) were dominated by The Weeknd's After Hours and Dua Lipa's Future Nostalgia - the two big pop albums that weren't afraid to go large with their ambitions, even at the lowest, scariest point of the COVID-19 pandemic.
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